Manuscript Wish List
I only accept queries via Query Manager. I can answer queries more efficiently and manage my inbox better by using this platform. If that form is not active, then I am not currently open to queries. Please do not send your query to my email. Emailed queries will be deleted unread.
About AI: I am not interested in AI-generated or AI-assisted work. This includes works that have been run through an AI “editor” or “critique partner.” I advise against using such tools, both for business reasons and to protect your creativity and foster your own skills in writing, research, and editing. I can’t stop you from using AI, but if you do, please do not send your work to me.
I represent a range of genre fiction, from commercial romance to radical speculative fiction, subversive mysteries and thrillers, and select upmarket book club fiction. I don’t specialize in one genre or style— my list is united by some commercial element, and a modern sensibility. In romance, that may mean a relationship arc and HEA that will stand the test of time; in thriller, it may mean using the genre as a vehicle to critique flaws in contemporary society; in SFF, I love to see a radical future or a world intentionally avoiding the pitfalls familiar to ours. I am looking for books that engage with the issues of our time without necessarily being “issue books”. I’m interested in intersectional stories, whether that representation is integral to the plot or casually baked into the setting or cast. In terms of tone, my taste can be offbeat or wry, and I am often cynical. But I’m also grateful to be won over by optimistic, earnest writing. I’m a naturally curious person, and love learning about our world’s quirks incidentally.
I look for plot to keep the pages turning, but I am primarily interested in character-driven stories. Flawed characters are no problem for me, so long as they’re interesting, self-consistent, and not gratuitously violent or sadistic. In trope-driven genres, I love how a vibrant cast can make those frameworks feel like a starting point, rather than the end of a familiar, preordained story. In more upmarket, less structured areas, I am even more drawn to projects where the engine of the story is a character’s innermost wants and needs, and how they act on them.
I am also open to select nonfiction projects: memoir/essay from a unique and immersive perspective; inclusive, wide-angle health and life advice from experts in their field; pop science (not pop culture) and narrative nonfiction that answers questions I didn’t know I had about things I didn’t know I cared about. Nonfiction that reads like fiction is always a plus for me. My taste in nonfiction leans more upmarket than my taste in fiction. I am not the right fit for aspirational self-help/life advice, business, cookbooks, history, politics, or gift books.
I am not looking for YA, MG, or picture books at this time.
My goal is to build a list that is multi-faceted and diverse —representing a range of authors, characters, genres, and moods — but cohesive in its goals and advancement of the reading landscape. My ideal authors write immersive and self-contained works, which also fit into the context of the market and the world around us, encouraging us to investigate, critique, and improve upon it.
See below for a more specific wish list, and please bear in mind these are my own interests and opinions. And for all that I can share topics and categories of interest, some of the most exciting writing is that which surprises. If your work goes against the grain here, but you still have good reason to think we will be a fit, please do query me anyway.
I am interested in:
Upmarket, character-driven fantasy.
Fantasy romance in the vein of T. Kingfisher and Stephanie Burgis.
Books about experiencing the end of an era, climate grief, or finding our way in a rapidly changing world. If you’re comping to The Last Unicorn, count me in.
Whatever we’re calling urban fantasy these days. Magic and monsters in the modern world.
I am open to sci-fi, but tend to connect with books about smaller scale, personal stakes rather than epic ones. Personal stakes/a character driven novel amid an epic context is extremely welcome.
Gothic vibes or horror influence, without being truly scary. I am a wuss.
Horror for people who say they are a wuss, but feel left out by reading no new horror books at all. (It’s me. I feel left out. I can’t be the only one.) I have loved several books originally described to me as horror. So — I am now interested in representing spooky, psychological, “approachable” levels of horror. Horror for the horror-curious. Books that deal with the darkness of the world around us are in play, but gore and body horror are not.
I feel heists are often better suited for the screen than the page, but I would love a tightly-plotted, character-focused project like La Casa de Papel (Money Heist).
Fun, modern mysteries in the spirit of the Finley Donovan and Vera Wong series, or Only Murders in the Building.
Romance without toxic relationship dynamics. I am not usually drawn in by miscommunication or big secrets as a major plot point.
Romance about queer/bi/pansexual women and nonbinary characters.
Romance with strong secondary plots as well as a clear commercial hook.
Historical fiction set outside times/places publishing has focused on to date. (I am usually not a good fit for glamorous city settings.)
Book club fiction about overcoming (or holding on to?) a family grudge.
Book club novels not about white-collar, college-educated characters.
Commercial novels about grief, without that being the entirety of the plot.
Genre mashups that are greater than the sum of their parts. (Rather than limiting their potential readership with opposing elements.)
Indirect but sharp criticism of the contemporary world. I am more drawn to character-driven novels than overt “issues” books, but the issues are still welcome.
Contemporary novels with one weird/speculative element, which would still be published as mainstream (not genre) fiction.
Queer characters in general, particularly when queerness is a given, not an obstacle.
I would love a novel that has some connection to paleontology/dinosaurs. Perhaps that is the protagonist’s career, or an interest of theirs. (Not nonfiction or time-travel/sci-fi about dinosaurs.)
Narrative nonfiction about under-discussed historical trends, events, or origin stories that have present-day consequences.
Micro-histories that use one object or topic to explore a more universal experience or theme.
Nonfiction a la Sabrina Imbler — somewhere on the axes of narrative-pop science-personal essay. Contemporary, voicey, personal while also being sneakily educational. I love weird pieces of natural history and overlooked critters, and how the natural world can be used as a way in to writing about the human condition, but if your beat is some other area of surprising and fertile ground, that’s still fair game.
See also: #MSWL tweets I have made. RIP Twitter.
I am not interested in:
Military fiction — ie law enforcement-centric thrillers, political thrillers, narratives where military action is the central conflict and driver of the plot.
Erotica.
I am not looking for YA, MG, or picture books at this time.
Books that have been self-published already.
“Not like other girls” stories.
Body horror/gore/violence.
Novels about eating disorders.
Post-apocalyptic, pandemic, or government conspiracy plots.
Novels that use an election or political conflict as a backdrop/mirror.
“Social” novels. If you’re comping to Cynthia D’Aprix Sweeney, I’m not the right fit.
Hollywood settings or plots, and/or celebrity-centric projects.
Diet, exercise, self-help books or cookbooks.
I’m not representing poetry at this time (although I’m happy to hear from poets writing longer forms).
Errata that might catch my eye:
Endurance sports or fencing.
Plants, especially plants with some agency/sentience, and/or carnivorous plants; and/or lichens; also fungi.
Cryptids (but probably not a book about cryptids, more likely a book in which cryptids make an appearance or play a minor role).
Animals I have a soft spot for include: most birds, dinosaurs, snakes, cats, armadillos, possums, megafauna. No talking animal books, please.
Hiking/the outdoors.
The Pony Express (American) or Yam (Mongolian).
The vastness of environments like the Great Plains or the Pacific Ocean.
Child-free adult characters.
Late stage capitalism (and where to go from here).
Neurodiversity and disability.
Fiber arts.
Of Monsters and Mainframes by Barbara Truelove
Someone You Can Build a Nest In by John Wiswell
The Warm Hands of Ghosts by Katherine Arden
Mexican Gothic by Silvia Moreno-Garcia
Nettle & Bone by T. Kingfisher
Swordheart by T. Kingfisher
Light From Uncommon Stars by Ryka Aoki
Blood Over Bright Haven by M.L. Wang
Detransition, Baby by Torrey Peters
Endpapers by Jennifer Savran Kelly
Cleat Cute by Meryl Wilson
The Bromance Book Club by Lyssa Kay Adams
Wooing the Witch Queen by Stephanie Burgis
Small Game by Blair Braverman
Dead End Girls by Wendy Heard
My Sister, the Serial Killer by Oyinkan Braithwaite
The God of the Woods by Liz Moore
Braiding Sweetgrass by Robin Wall Kimmerer
How Far the Light Reaches by Sabrina Imbler
Forest Euphoria by Patricia Ononiwu Kaishian
Entangled Life by Merlin Sheldrake